Lowe, author of the study Frida Kahlo, ably places the journal in the context of the painter's shattered life. In his moving introduction, Mexican critic/novelist/poet Fuentes relates Kahlo's images of pain, loss, mutilation and transcendence to Mexico's historic cycles of revolution and reaction. Ardent entries and love letters mirror her obsessive devotion to her husband, painter Diego Rivera. This facsimile edition reproduces her handwritten, colored-ink entries and accompanying self-portraits, sketches, doodles and paintings, which fuse surrealism, pre-Columbian gods and myths, biomorphic forms, animal-human hybrids, archetypal symbols. Mexican painter Frida Kahlo (1919- 1954) kept this haunting journal during the last decade of her life, preoccupied with death, beset by declining health, isolation and repeated surgical operations resulting from the bus accident that severely damaged her spine, pelvic bones, right leg and right foot at the age of 18.
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